Advanced embedding details, examples, and help! Citations are based on reference standards. Please enter recipient e-mail address es. The preservation of these tapes was funded by a grant from the National Historic Publications and Records Commission. Written, adapted for radio, and directed by Dolores Prida, and performed by Elizabeth Pena. However, it is not till the end, that the playwright gives a solution to this game. Dolores Prida Find more information about: Be the first one to write a review. As the playwright warns us, the “play must never be represented in one language” 49 because its main point is, precisely, to show the simultaneous presence of both cultures without the superiority of one above the other, that is, hybridity. Coser y cantar (eBook, ) Īrte Publico Press, Please create a new list with a new name move some items to a new or existing list or delete some items. Please select Ok if you would like to proceed with this request anyway. Uploaded by jakej on April 30, Finding libraries that hold this item Together with that, this paper will also analyze how Prida aims with these plays at the denouncement and criticism of assimilationist tendencies imposed by the mainstream and accordingly, vindicates the duality of the Latino bilingual and bicultural being, dolords revealing her anti-assimilationist message.
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The subtitle of Coser y Cantar, “a One Act Bilingual Fantasy for Two Women”, already hints at its content since the play can be considered as Prida’s fantasy of what would be a possible theatrical representation of being a bicultural and bilingual woman, which is corroborated by Prida herself when asserting that “ deals with how to be a bilingual and bicultural woman in Manhattan and keep your sanity” “The Show Does Go on” American drama Dolires Material Type: Therefore, she will cantaf the inner struggle within women caught between two cultures at the same time as she will try cantaar her work to look for an emotional equilibrium between one culture and the other, and accordingly, perfectly reflecting the dual personality hence, the hybridity of a female Cuban exile dokores to the one-and-a-half generation 1. Latinos live mixing it with high doses of humour, popular culture, criticism and even sarcasm and thus, successfully capturing in theatrical form that unique and complex reality of a culturally hybrid Latina living on the hyphen. What Prida is openly conveying with this representation of the personal experience of any bilingual Latina is her anti-assimilationist political message. Coser y Cantaras Prida herself states, is “about the experience of being Hispanic in the United States, about people trying to reconcile two cultures and two languages and two visions of the world into a particular whole Spanish View all editions and formats. Please see your browser settings for this feature.
It appears your browser does not have it turned on. Consequently, both halves come to the realization that it is necessary to stay together in order to survive in the outside world: However, formatting rules can vary widely between applications and fields of interest or study.Īs has been proved, the text moves as if it were a ping-pong ball jumping from one part of the stage to another constantly switching language and culture with its corresponding polarizing effect that creates hybridity. On the other hand, “She” pridz at the end that she cannot live without her Cuban part since “Ella” existed first. Would you also like to submit a review for this item?ĭon’t have an account? Document, Internet resource Coserr Type: Florida International University, Spanish View all editions and formats Rating: Privacy Policy Terms and Conditions. The E-mail Address es you entered is are not in a valid format.
Thus, thanks to “She”, “Ella” does not to feel completely alienated in a foreign world. You may prids this item to up to five recipients. Produced by Adina Back and Felipe Gorostiza. By airing, not with existential despair but always humorously, some of the main problems any hybrid Latina has to face cantat everyday life double identity, assimilation, struggle for self-definition, alienation and loneliness among many othersPrida clearly arises as a spokesperson and the conscience of many Latinos living in similar situations to those portrayed in her play. Hosted by Department of World Languages at Queens University of Charlotte.PERFORMANCE: COSER Y CANTAR BY DOLORES PRIDA.
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Four Different Latino Playwrights, Full Casts Of Local Latino Actors Our Stories Shared With.
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